New York Studio School
[email protected] 8 W 8TH ST, NEW YORK, NY 10011 PHONE: +1 (212) 673-6466 FAX: +1 (212) 777-0996
Presents
Hubert Phipps
August 29th - September 25th 2016
Creative Process
"I like things that are different.
That is what fascinates me about abstract art; the mystery of it. For the most part I think I know what I am looking at as I go about my daily routine, and that is reassuring. Especially when I am out navigating the byways and the skyways. Yet I yearn to discover new worlds, otherworldly type worlds that are lurking in the deeper recesses of the mind.
I glimpse these worlds from time to time. It may come in the middle of the night, a vision, unidentifiable, yet lovely shapes appear and I don't have a clue what they are. What is so tantalizing to me is the endless possibilities of what they can be and I feel compelled to flesh them out and capture them on paper, on canvas, or as a 3D object.
To me, the most powerful art is that which connects within me before I even start or analyze it through thought. It is not anything I can understand or describe by thinking but something that when I look at it I am filled with awe and wonderment. This is what I experience when I stand in the presence of the great works of art that have come before.
Creating art is my opportunity to experience the realm of the abstract mind in a very inmate way. From a practical standpoint the challenge is in transforming that vision into physical form. This is what goes on in the studio. With the strokes that I change and adjust constantly until it gives me that mysterious quality that I am looking for.
The sculpture usually starts with a sketch but goes through its own metamorphosis necessary in converting the 2D drawing to a 3D object. During this process I strive to create beauty, balance and other aesthetic elements but somehow the work always takes on a life of its own. It just seems to happen despite the endless struggles I experience through the creative process.
In the end I am an observer as much as anything else."
"I like things that are different.
That is what fascinates me about abstract art; the mystery of it. For the most part I think I know what I am looking at as I go about my daily routine, and that is reassuring. Especially when I am out navigating the byways and the skyways. Yet I yearn to discover new worlds, otherworldly type worlds that are lurking in the deeper recesses of the mind.
I glimpse these worlds from time to time. It may come in the middle of the night, a vision, unidentifiable, yet lovely shapes appear and I don't have a clue what they are. What is so tantalizing to me is the endless possibilities of what they can be and I feel compelled to flesh them out and capture them on paper, on canvas, or as a 3D object.
To me, the most powerful art is that which connects within me before I even start or analyze it through thought. It is not anything I can understand or describe by thinking but something that when I look at it I am filled with awe and wonderment. This is what I experience when I stand in the presence of the great works of art that have come before.
Creating art is my opportunity to experience the realm of the abstract mind in a very inmate way. From a practical standpoint the challenge is in transforming that vision into physical form. This is what goes on in the studio. With the strokes that I change and adjust constantly until it gives me that mysterious quality that I am looking for.
The sculpture usually starts with a sketch but goes through its own metamorphosis necessary in converting the 2D drawing to a 3D object. During this process I strive to create beauty, balance and other aesthetic elements but somehow the work always takes on a life of its own. It just seems to happen despite the endless struggles I experience through the creative process.
In the end I am an observer as much as anything else."
