Ray McC, St Maarten. 2024. 58 x 46 inches Oil, acrylic on canvas
Bio, September 2024
PE Pinkman is a contemporary American artist and curator based in New Jersey, celebrated for his paintings and drawings that explore themes of identity and spatial constructs through abstract reasoning. His notable series, “100 Days of a Pandemic,” employs repetitive imagery of the artist to investigate profound themes of love, loss, politics, and the passage of time. In another thought-provoking series, “Not Who You See(m),” Pinkman examines the fluid and often unstable nature of identity by portraying himself at various life stages.
Pinkman's large-scale paintings intricately layer images and shapes, crafting narratives inspired by earlier artists. These can incorporate references to specific individuals, generalized concepts and the natural landscape. His work has been exhibited in prestigious galleries, including La Mama La Galleria and Leslie Lohman Gallery in New York City, as well as the State Museum of New Jersey, the Monmouth Museum, Drawing Rooms Gallery, and Saint Peter’s University in Jersey City. His art has attracted attention from prominent publications such as the New York Times, Jersey City Times, and NJ.com.
To explore his portfolio and learn more about his artistic journey, visit his website at https://pepinkman.com .
PE Pinkman is a contemporary American artist and curator based in New Jersey, celebrated for his paintings and drawings that explore themes of identity and spatial constructs through abstract reasoning. His notable series, “100 Days of a Pandemic,” employs repetitive imagery of the artist to investigate profound themes of love, loss, politics, and the passage of time. In another thought-provoking series, “Not Who You See(m),” Pinkman examines the fluid and often unstable nature of identity by portraying himself at various life stages.
Pinkman's large-scale paintings intricately layer images and shapes, crafting narratives inspired by earlier artists. These can incorporate references to specific individuals, generalized concepts and the natural landscape. His work has been exhibited in prestigious galleries, including La Mama La Galleria and Leslie Lohman Gallery in New York City, as well as the State Museum of New Jersey, the Monmouth Museum, Drawing Rooms Gallery, and Saint Peter’s University in Jersey City. His art has attracted attention from prominent publications such as the New York Times, Jersey City Times, and NJ.com.
To explore his portfolio and learn more about his artistic journey, visit his website at https://pepinkman.com .
Diana F, channeling. 2024. 33 x 24 inches. Oil, acrylic on canvas
Alvin H, on the patio. 2024. 58 x 46 inches. Oil, acrylic on canvas
Ben M, selfie. 2024. 33 x 24 inches. Oil, acrylic on canvas
Ben M, selfie. 2024
33 x 24 inches.
Oil, acrylic on canvas
33 x 24 inches.
Oil, acrylic on canvas
PE Pinkman Statement, September 2024
The act of creation imbues each artwork with a unique identity, allowing it to take on a life of its own. Upon completion, these individual pieces engage in a collective dialogue. I find it essential to listen to viewers’ reactions, as they help me grasp the essence of the artwork and its relationship with the audience.
Contemporary fine art often portrays the artist as a detached observer, presenting a façade where genuine emotions are suppressed in favor of stylized expression. In contrast, my work begins with a core concept rooted in emotion. I strive to capture the essence of knowledge (scire) and feeling (sentio) within my pieces. This approach is evident in my recent series, “100 Days of a Pandemic” and “Not Who You See(m),” where I use my self-portrait as an avatar to explore various ideas and responses to my experiences. These drawings reflect on the complexities of identity, which often remain unknowable, particularly as social media tends to obscure deeper truths behind a superficial veneer.
My artistic vision has been shaped by navigating the personal and societal politics of the late 20th and early 21st centuries. These paintings and drawings serve as reflections on my insights and responses to significant struggles, such as the devastating AIDS epidemic and the isolating impacts of the COVID pandemic. Through these experiences, I have learned to seek truth amid tragedy. My work showcases diverse strategies, employing both abstract and representational styles to delve into personal narratives and perspectives.
The act of creation imbues each artwork with a unique identity, allowing it to take on a life of its own. Upon completion, these individual pieces engage in a collective dialogue. I find it essential to listen to viewers’ reactions, as they help me grasp the essence of the artwork and its relationship with the audience.
Contemporary fine art often portrays the artist as a detached observer, presenting a façade where genuine emotions are suppressed in favor of stylized expression. In contrast, my work begins with a core concept rooted in emotion. I strive to capture the essence of knowledge (scire) and feeling (sentio) within my pieces. This approach is evident in my recent series, “100 Days of a Pandemic” and “Not Who You See(m),” where I use my self-portrait as an avatar to explore various ideas and responses to my experiences. These drawings reflect on the complexities of identity, which often remain unknowable, particularly as social media tends to obscure deeper truths behind a superficial veneer.
My artistic vision has been shaped by navigating the personal and societal politics of the late 20th and early 21st centuries. These paintings and drawings serve as reflections on my insights and responses to significant struggles, such as the devastating AIDS epidemic and the isolating impacts of the COVID pandemic. Through these experiences, I have learned to seek truth amid tragedy. My work showcases diverse strategies, employing both abstract and representational styles to delve into personal narratives and perspectives.
Skyscape No. 2. 2023. 24 x 18 inches. Oil, acrylic on canvas
Skyscape No. 1. 2023. 24 x 18 inches. Oil, acrylic on canvas
Skyscape No. 4. 2023. 32 x 48 inches. Oil, acrylic on canvas
Dream State No. 3a. 2023. 70 x 48 inches. Oil on canvas
Dream State No. 3b. 2023. 48 x 70 inches. Oil, acrylic on canvas
Dream State No. 2. 2023. 52 x 72 inches. Oil, acrylic on canvas
Still Life. 2022. 52 x 40 inches. Oil, acrylic on canvas
Sapere Aude. 2022. 58 x 46 inches. Oil on canvas
Memento Mori. 2022. 60 x 48 inches. Oil, acrylic on canvas
Third Time’s the Charm. 2022. 52 x 40 inches. Oil, acrylic on canvas
Red. 2022. 30 x 22 inches. Monotype on paper.